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    Home»Entertainment»The Greatest Diss Tracks in Ghanaian Music History
    Entertainment

    The Greatest Diss Tracks in Ghanaian Music History

    KAKNewsBy KAKNewsSeptember 6, 2025No Comments3 Mins Read
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    Greatest diss tracks in Ghanaian music history
    Greatest diss tracks in Ghanaian music history
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    Ghana’s music industry has always thrived on competition, creativity, and lyrical battles. Over the years, some of the country’s most iconic songs have not just been about love or celebration but about rivalry, ego, and calling out opponents. Diss tracks have shaped careers, sparked debates, and even influenced the direction of entire genres like Hiplife, Hip-Hop, and Dancehall in Ghana. Let’s revisit some of the most memorable diss tracks that left their mark on the culture.

    1. Obrafour – “Kasiebo” ft. Guru (2009)

    Often regarded as one of the most impactful diss tracks in Ghanaian music history, “Kasiebo” shook the entire industry. Obrafour, with Guru’s support, targeted several artists indirectly, with Criss Waddle and Okyeame Kwame often cited as the main recipients of the heat. The song’s sharp wordplay and storytelling made it unforgettable.

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    2. Sarkodie – “Advice” (2018)

    Sarkodie’s “Advice” was a response to Shatta Wale during their heated rivalry. The track stood out for its calm yet cutting delivery, with Sarkodie addressing Shatta’s brash persona, controversies, and need for attention. It became a cultural moment, with fans praising Sarkodie’s lyrical dominance.

    3. Shatta Wale – “Letter to Charterhouse” (2013)

    Though not aimed at a fellow musician, this diss track is historic. Shatta Wale used “Letter to Charterhouse” to vent his frustrations at the organizers of the Ghana Music Awards, accusing them of bias and unfairness. The song not only sparked controversy but also redefined Shatta’s rebellious image.

    4. Yaa Pono – “Gbee Naabu” (2017)

    Arguably one of the boldest diss tracks in the Ghanaian scene, Yaa Pono fired direct shots at Shatta Wale in “Gbee Naabu.” The track became an anthem for Pono’s supporters, with unfiltered insults and witty punchlines that fueled one of Ghana’s most talked-about feuds.

    5. M.anifest – “godMC” (2016)

    The M.anifest vs. Sarkodie beef birthed “godMC,” a lyrically sophisticated diss track that showcased M.anifest’s penmanship. His use of metaphors, punchlines, and intellectual swagger gained him respect and reignited the debate about who the best lyricist in Ghana is.

    6. Sarkodie – “Kanta” (2016)

    Not one to let things slide, Sarkodie replied to M.anifest’s “godMC” with “Kanta.” The track came with a streetwise tone, sharp digs, and confident delivery, making the beef one of the most memorable lyrical battles in Ghanaian rap history.

    Why Diss Tracks Matter

    Diss tracks aren’t just about rivalry—they showcase the lyrical depth, creativity, and confidence of Ghanaian musicians. They keep the culture alive, spark fan conversations, and push artists to outdo themselves. While sometimes controversial, they remain an essential part of the music narrative in Ghana.

    CHECK THIS: Top Female Voices Changing the Ghanaian Music Scene 🎤✨

    source: kaknews.com

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